Fiendishly devious and addictively readable, Peter Carey's My Life as a Fake is a moral labyrinth constructed around the uneasy relationship between literature and lying. In steamy, fetid Kuala Lumpur in 1972, Sarah Wode-Douglass, the editor of a London poetry journal, meets a mysterious Australian named Christopher Chubb. Chubb is a despised literary hoaxer, carting around a manuscript likely filled with deceit. But in this dubious manuscript Sarah recognizes a work of real genius. But whose genius? As Sarah tries to secure the manuscript, Chubb draws her into a fantastic story of imposture, murder, kidnapping, and exile--a story that couldn't be true unless its teller were mad. My Life as a Fake is Carey at his most audacious and entertaining.

In Melbourne in the late I94OS, a young conservative Australian poet named Christopher Chubb decides to teach his country a lesson about pretension and authenticity. Choosing as his target the most avant-garde of the literary magazines, he submits for publication the entire oeuvre of one Bob McCorkle, a working-class poet of raw power and sexual frankness, conveniently dead at twenty-four and entirely the product of Chubb's imagination. Not only does the magazine fall for the hoax, but the local authorities also sue its editor for publishing obscenity. At the trial someone uncannily resembling the faked photograph of the invented McCorkle, leaps to his feet. At this moment a horrified Chubb is confronted by the malevolent being he has himself manufactured.

Using as a springboard a real literary hoax that transfixed Australia in his boyhood, Peter Carey wickedly and ruefully explores how the phantom poet taunts, haunts and otherwise destroys his maker, pursuing Chubb from Melbourne to a seedy, sweaty, bitter ending in the tropical chaos of Kuala Lumpur.

Peter Carey has composed a manic, endearing and penetrating ode to fakery at its most truthful and truth at its most fake, a novel that penetrates to the heart of the alchemy of literature itself.