王晓平《呈现全球化时代中国--当代中国电影里的现实主义艺术》精选当代中国新生代导演的十部现实主义电影进行分析，呈现中国九十年代以来在全球化时代的多种样貌，分析现实主义的文学叙述手法在电影中的运用。这些电影均在国内公映过，或者获得过电影局的发行许可。本书有助于电影界专业编导、批评家、广大电影爱好者、文学爱好者阅读。

Introduction

Chapter One

 Experiencing Realism or Modernism in Practicing Arts？

 Authenticity,Truth，and Art in Frozen（1994）

Chapter Two

 Super—Realism or Sur—Realism in Portraying a（Post）modern Desire：Rain Clouds over Wushan's（1996）Rendition of the Subaltern

Chapter Three

 Phantasmagoric Realism in an“Art Film”：Portraying Chinese“Middle Class”in Lunar Eclipse（1999）

Chapter Four

 Onirogenic Realism in Narrating Love Stories：Suzhou River（2000）as a Historical Allegory

Chapter Five

 Melodramatic Realism in a“Teen’s Movie”：Articulating the Logic of Market Society in Beijing Bicycle（2001）

Chapter Six

 Revolutionary Realism or Socialist Realism？

 Chinese Goodman in Jia Zhangke’S Still Life（2006）

Chapter Seven

 Retrospective Realism in Memorizing the Chinese Working Class：On the Narrative Strategy of The Road（2006）

Chapter Eight

 Critical Realism with the Taint of Religion：Salvation and Hope in Luxury Car（2006）

Chapter Nine

 Psychological Realism in the Memory of a Workwoman：How do Chinese Workers Spend their Lives in Weaving Girl（2008）

Chapter Ten

 Hallucinatory Realism in the Eyes ofArtists：The Falsity of Choices in And the Spring Comes（2008）

Conclusion

 On the Merits and Faults of Practicing Realism in Contemporary Chinese Cinema

Bibliography