If we look at Picasso's linocut oeuvre we are indeed soon inclined to endorse Helene Parmelin's assessment, since we get the impression that as the artist delves more deeply into this technique he totally adopts the material and even explores entirely novel, previously untested technical procedures to come closer to realising his intentions.Of course, Parmelin's statements are designed to serve the apotheosis of Picasso as an artist by describing his true greatness as residing precisely in the restriction-free handling and sublimation of the material.

PICASSO UND DER LINOLSCHNITT

Picosso and the Linocut

 BIOGRAPHISCHE RAHMENBEDINGUNGEN

 General Biographical Conditions

 GESCHICHTE DES LINOLSCHNITTS

 History of the Linocut

 TOD AM NACHMITTAG - PICASSOS STIERKAMPFDARSTELLUNGEN

 Death in the Afternoon - Picasso's bullfight pictures

 PICASSOS ARKADIEN AM MITTELMEER

 Picasso's Arcadia on the Mediterranean

 PICASSO ALS REVISOR DER MUSEUMSKUNST

 Picosso as Auditor of Museum Art

 FRAUENPORTRATS

 Portraits of Women

 SPATE WERKE

 Late Works

 PLAKATE

 Posters

ANMERKUNGEN

Notes

KATALOG

Catalogue

IMPRESSUM

ImPrint