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电影 没有和解(1965)
内容
◎片名:没有和解
◎又名:恨难解/Not Reconciled
◎年份:1965
◎类型:剧情
◎导演:让-马里·斯特劳布
◎制片人:
◎编剧:让-马里·斯特劳布/达尼埃尔·于伊耶
◎主演:HeinrichHargesheimer/CarlheinzHargesheimer/MarthaStaendner
◎制片国家/地区:德国
◎IMDB:tt0059503
◎语言:德语
◎片长:USA: 55 分钟 / Argentina: 55 分钟(Buenos Aires Festiva
◎上映时间:1965-07-04
◎出品公司:
◎发行公司:
◎全球票房:
◎国内票房:
◎剧情简介:
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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标签
缩略图
片名 没有和解
又名 恨难解/Not Reconciled
年份 1965
导演 让-马里·斯特劳布
编剧 让-马里·斯特劳布/达尼埃尔·于伊耶
主演 HeinrichHargesheimer/CarlheinzHargesheimer/MarthaStaendner
剧情简介 The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
上映时间 1965-07-04
影片类型 剧情
内地上映时间
出品国家/地区 德国
首映日期
首映地区
语言 德语
时长 USA: 55 分钟 / Argentina: 55 分钟(Buenos Aires Festiva
色彩
版本
声效
评分 7.5分
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IMDb tt0059503
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歌曲 歌手 在线试听
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