《玛利亚·玛丽布罕之死》1972电影票房、全集剧情、豆瓣网盘bt迅雷下载、在线免费观看高清完整版-兰台网

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玛利亚·玛丽布罕之死（1972）

内容

◎片名：玛利亚·玛丽布罕之死
◎又名：The Death of Maria Malibran
◎年份：1972
◎类型：剧情/喜剧/歌舞/奇幻
◎导演：沃纳·施罗德
◎制片人：
◎编剧：沃纳·施罗德
◎主演：MagdalenaMontezuma/克里斯汀·考夫曼/坎蒂·妲玲/ManuelaRiva/英格丽·卡文/AnetteTirier/EinarHanfstaengl/GaborvonLessner/KurtJungmann/JoachimBauer
◎制片国家/地区：西德
◎IMDB：tt0067861
◎语言：
◎片长：104 分钟
◎上映时间：1972-03-02(西德)
◎出品公司：
◎发行公司：
◎全球票房：
◎国内票房：
◎剧情简介：
This bizarre film by one of the most original directors now working in Germany is hermetic, expressionist, oblique, and of a creative perversity that bespeaks the presence of a genius. Purporting to deal with a real-life 19th century diva 'whose popularity was such that over-exertion led to her death while singing,' the film is actually a grisly series of frozen or tortured tableaux (predominantly lesbian in implication) of heavily rouged, frequently ugly women who, pretending to sing heavy opera, go through contorted, icy attempts at communication that lead nowhere. The lip-sync is off; the singing is off-pitch; mouths are frequently open while no sound issues forth, or closed, with mellifluous arias or cheap popular songs heard on scratchy renditions of old records. Neither burlesque nor slapstick, the film's intent, at least in the beginning, is nevertheless ironical and subversive, though mysteriously so. However, it grows increasingly dark and more threatening, with screams, faces bathed in Vaseline, red, wet mouths, smeared eye shadows, and dehumanized figures. One cannot 'explain' Schroeter's work, other than recognize his debunking of opera as a metaphorical rejection of bourgeois society; but one trembles in recognition of a prospective major talent." 　　Amos Vogel, Film as a Subversive Art
◎主题曲：

歌曲		歌手	在线试听

◎获奖情况：

标签

缩略图

片名

玛利亚·玛丽布罕之死

又名

The Death of Maria Malibran

年份

1972

导演

沃纳·施罗德

编剧

沃纳·施罗德

主演

MagdalenaMontezuma/克里斯汀·考夫曼/坎蒂·妲玲/ManuelaRiva/英格丽·卡文/AnetteTirier/EinarHanfstaengl/GaborvonLessner/KurtJungmann/JoachimBauer

剧情简介

This bizarre film by one of the most original directors now working in Germany is hermetic, expressionist, oblique, and of a creative perversity that bespeaks the presence of a genius. Purporting to deal with a real-life 19th century diva 'whose popularity was such that over-exertion led to her death while singing,' the film is actually a grisly series of frozen or tortured tableaux (predominantly lesbian in implication) of heavily rouged, frequently ugly women who, pretending to sing heavy opera, go through contorted, icy attempts at communication that lead nowhere. The lip-sync is off; the singing is off-pitch; mouths are frequently open while no sound issues forth, or closed, with mellifluous arias or cheap popular songs heard on scratchy renditions of old records. Neither burlesque nor slapstick, the film's intent, at least in the beginning, is nevertheless ironical and subversive, though mysteriously so. However, it grows increasingly dark and more threatening, with screams, faces bathed in Vaseline, red, wet mouths, smeared eye shadows, and dehumanized figures. One cannot 'explain' Schroeter's work, other than recognize his debunking of opera as a metaphorical rejection of bourgeois society; but one trembles in recognition of a prospective major talent." 　　Amos Vogel, Film as a Subversive Art

上映时间

1972-03-02(西德)

影片类型

剧情/喜剧/歌舞/奇幻

内地上映时间

出品国家/地区

西德

首映日期

首映地区

语言

时长

104 分钟

色彩

版本

声效

评分

制作机构

出品机构

发行机构

获奖信息

拍摄地

票房成绩

国内票房

制片人

其他机构

幕后花絮

演职人员

导赏

集数

单集片长

分集剧情

IMDb

tt0067861

海报

剧照

档案影像

主题曲

歌曲		歌手	在线试听

原著

基本信息

角色介绍

幕后制作

预告片&花絮

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