《卡思嘉的皇后蘋果》1926电影票房、全集剧情、豆瓣网盘bt迅雷下载、在线免费观看高清完整版-兰台网

电影

卡思嘉的皇后蘋果（1926）

内容

◎片名：卡思嘉的皇后蘋果
◎又名：
◎年份：1926
◎类型：剧情
◎导演：FridrikhErmler/EduardIoganson
◎制片人：
◎编剧：MikhailBorisoglebsky
◎主演：ВероникаБужинская/ВалерийСоловцов
◎制片国家/地区：苏联
◎IMDB：tt0017025
◎语言：无对白
◎片长：74 分钟(1973 restored version)
◎上映时间：1926
◎出品公司：
◎发行公司：
◎全球票房：
◎国内票房：
◎剧情简介：
Kat'ka’s Reinette Apples was broke all box office records in 1927 in USSR. Film is still remarkably contemporary today and capable of “waking up” drowsing students in Russian film courses. Film is notable as it is regarded as an accurate portrayal of this period of Soviet history and constitutes one of the first attempts to create a film based upon contemporary Soviet "everyday life". Ermler creates an astonishing portrait of Leningrad under the NEP, or New Economic Policy. The NEP was a series of measures instituted by the communists that allowed a measure of private enterprise into the new Soviet state; for its critics, the NEP threatened the return of capitalism and all its vices. Dramatic uses of lighting at times recall German's expressionist films, but the real treats here are the remarkable street scenes: Ermler make extraordinary use of real locations around the city, often mixing their actors with people on the streets. 　　The opening titles clearly announce a new, previously unseen genre―“a comic melodrama.” Katka, a young peasant girl, comes to Petrograd to earn enough money to buy a cow, but she cannot find a job at a factory and is forced sell apples on the street. Private trade is the first step toward degeneracy and criminal life. She gets mixed up with a wicked villain Semka, and becomes pregnant. However, she is still basically good and therefore realizes the wickedness of the man and breaks with him. The film acquaints us with the society of street vendors. In Ermler's scheme of values, Katka is preferable to Semka's new girlfriend, Verka, because Katka trades in apples, Verka in foreign goods. The street vendors, illegal small business people, also have their sense of community. They hire someone, Vadka, an unemployed intellectual, to look out for the police. We learn how loathsome Verka really is when she refuses to contribute to Vadka's meagre compensation. In this bustling, exciting, but very poor world, Soviet power seems very remote. There is no mention of Lenin, of the Party, or of the noble goals of communism. The authorities exist only in the form of the police, who seem none too capable. The most remarkable character in the movie is not the grotesquely overdrawn Sernka, or even the prototype of the strong Soviet woman figure, Katka, but the unemployed intellectual, Vadka, a man who is incapable of taking care of himself in the new circumstances. He cannot even properly kill himself: he jumps into shallow water. He returns to the bridge to find that his only jacket has been stolen. Katka saves the unfortunate fellow several times. She takes him in and gives him something to do - the job of taking care of her new baby while she is out working. Vadka is a thoroughly decent man. In the climactic scene of the movie, he confronts, fights and defeats Semka. The happy ending is inevitable, although Katka's sudden ransformation is unmotivated. She gives up her shady job and becomes a worker. She marries the serving and loving Vadka, and the alliance of working classes and honest intelligentsia is reaffirmed. In depicting Katka as a breadwinner, and much the stronger character, the film has a feminist message.
◎主题曲：

歌曲		歌手	在线试听

◎获奖情况：

标签

缩略图

片名

卡思嘉的皇后蘋果

又名

年份

1926

导演

FridrikhErmler/EduardIoganson

编剧

MikhailBorisoglebsky

主演

ВероникаБужинская/ВалерийСоловцов

剧情简介

Kat'ka’s Reinette Apples was broke all box office records in 1927 in USSR. Film is still remarkably contemporary today and capable of “waking up” drowsing students in Russian film courses. Film is notable as it is regarded as an accurate portrayal of this period of Soviet history and constitutes one of the first attempts to create a film based upon contemporary Soviet "everyday life". Ermler creates an astonishing portrait of Leningrad under the NEP, or New Economic Policy. The NEP was a series of measures instituted by the communists that allowed a measure of private enterprise into the new Soviet state; for its critics, the NEP threatened the return of capitalism and all its vices. Dramatic uses of lighting at times recall German's expressionist films, but the real treats here are the remarkable street scenes: Ermler make extraordinary use of real locations around the city, often mixing their actors with people on the streets. 　　The opening titles clearly announce a new, previously unseen genre―“a comic melodrama.” Katka, a young peasant girl, comes to Petrograd to earn enough money to buy a cow, but she cannot find a job at a factory and is forced sell apples on the street. Private trade is the first step toward degeneracy and criminal life. She gets mixed up with a wicked villain Semka, and becomes pregnant. However, she is still basically good and therefore realizes the wickedness of the man and breaks with him. The film acquaints us with the society of street vendors. In Ermler's scheme of values, Katka is preferable to Semka's new girlfriend, Verka, because Katka trades in apples, Verka in foreign goods. The street vendors, illegal small business people, also have their sense of community. They hire someone, Vadka, an unemployed intellectual, to look out for the police. We learn how loathsome Verka really is when she refuses to contribute to Vadka's meagre compensation. In this bustling, exciting, but very poor world, Soviet power seems very remote. There is no mention of Lenin, of the Party, or of the noble goals of communism. The authorities exist only in the form of the police, who seem none too capable. The most remarkable character in the movie is not the grotesquely overdrawn Sernka, or even the prototype of the strong Soviet woman figure, Katka, but the unemployed intellectual, Vadka, a man who is incapable of taking care of himself in the new circumstances. He cannot even properly kill himself: he jumps into shallow water. He returns to the bridge to find that his only jacket has been stolen. Katka saves the unfortunate fellow several times. She takes him in and gives him something to do - the job of taking care of her new baby while she is out working. Vadka is a thoroughly decent man. In the climactic scene of the movie, he confronts, fights and defeats Semka. The happy ending is inevitable, although Katka's sudden ransformation is unmotivated. She gives up her shady job and becomes a worker. She marries the serving and loving Vadka, and the alliance of working classes and honest intelligentsia is reaffirmed. In depicting Katka as a breadwinner, and much the stronger character, the film has a feminist message.

上映时间

1926

影片类型

剧情

内地上映时间

出品国家/地区

苏联

首映日期

首映地区

语言

无对白

时长

74 分钟(1973 restored version)

色彩

版本

声效

评分

制作机构

出品机构

发行机构

获奖信息

拍摄地

票房成绩

国内票房

制片人

其他机构

幕后花絮

演职人员

导赏

集数

单集片长

分集剧情

IMDb

tt0017025

海报

剧照

档案影像

主题曲

歌曲		歌手	在线试听

原著

基本信息

角色介绍

幕后制作

预告片&花絮

改编来源

安全警示

适度休息有益身心健康，请勿长期沉迷于追剧。

随便看

兰台网电影档案馆全面收录中外各种电影，详细介绍电影的基本信息及剧情、剧照等电影资料。