《列车上的追捕》1980电影票房、全集剧情、豆瓣网盘bt迅雷下载、在线免费观看高清完整版-兰台网

电影

列车上的追捕（1980）

内容

◎片名：列车上的追捕
◎又名：火车上的追捕/列车上的奇遇
◎年份：1980
◎类型：剧情
◎导演：PeterDuffell
◎制片人：
◎编剧：StephenPoliakoff
◎主演：佩吉·阿什克罗福特/SeanBarry-Weske/BaronCasanov/迈克尔·基臣
◎制片国家/地区：美国 / 英国
◎IMDB：tt0080507
◎语言：英语
◎片长：80分钟
◎上映时间：1980-10-31
◎出品公司：
◎发行公司：
◎全球票房：
◎国内票房：
◎剧情简介：
Exploring the contradictory feelings aroused by travelling, Stephen Poliakoff's television play shows the journey of a publisher on the Ostend-Vienna express to a book fair in Linz. Tautly scripted and edited, the drama is largely a conversation piece between Peter (Michael Kitchen) and the irritable Viennese lady Frau Messner (Peggy Ashcroft). 　　Characteristically, Poliakoff balances the personal and the social, using the train to represent Peter's personal journey and to comment on the chaotic state of Europe at the turn of the decade. The drama reflects the wider historical and cultural issues of the period, touching on Anglo-American relations, modern terrorism and Hitler's popularity in Austria. 　　Naturalistic in its dialogue and camera style, the drama is careful to show the less salubrious elements of contemporary reality - young people sleeping rough at Frankfurt station, anti-social German students, authoritarian police. This social commentary is balanced by the individual journey, both physical and spiritual, undertaken by Peter. As time passes, he is forced to reassess his personal values and beliefs as people and situations put his patience to the test. 　　Poliakoff subtly shifts the viewer's sympathies from Peter towards Frau Messner. She is initially dislikeable but gradually reveals a more sensitive side, while Peter's negative characteristics are foregrounded as the journey unfolds. Tellingly, there is a sense of personal revelation for him by the film's close. Frau Messner tells him that although he is generally 'a nice boy', he is preoccupied with himself and his work. 　　For a television drama, Caught on a Train displays a particularly filmic sensibility. The influence of Hitchcock (notably The Lady Vanishes, 1938) is evident throughout, from the gradual accumulation of mysterious and often insignificant details, to the claustrophobic atmosphere on the train. Poliakoff plays on the anxieties and sense of insecurity that rail travellers experience as they find themselves adrift, somewhere between home and their destination. 　　However, the drama balances this foreboding by acknowledging the romance associated with train travel - the relative freedom, the opportunities for chance encounters and the sense of liberation from external communication such as telephone and letters (at least in 1980). 　　The jazzy score by Mike Westbrook perfectly complements the atmospheric images of urban European landscapes, reflecting the inner feelings of the main characters, while the use of contemporary music from the likes of Blondie clearly locates the piece in its time.
◎主题曲：

歌曲		歌手	在线试听

◎获奖情况：

标签

缩略图

片名

列车上的追捕

又名

火车上的追捕/列车上的奇遇

年份

1980

导演

PeterDuffell

编剧

StephenPoliakoff

主演

佩吉·阿什克罗福特/SeanBarry-Weske/BaronCasanov/迈克尔·基臣

剧情简介

Exploring the contradictory feelings aroused by travelling, Stephen Poliakoff's television play shows the journey of a publisher on the Ostend-Vienna express to a book fair in Linz. Tautly scripted and edited, the drama is largely a conversation piece between Peter (Michael Kitchen) and the irritable Viennese lady Frau Messner (Peggy Ashcroft). 　　Characteristically, Poliakoff balances the personal and the social, using the train to represent Peter's personal journey and to comment on the chaotic state of Europe at the turn of the decade. The drama reflects the wider historical and cultural issues of the period, touching on Anglo-American relations, modern terrorism and Hitler's popularity in Austria. 　　Naturalistic in its dialogue and camera style, the drama is careful to show the less salubrious elements of contemporary reality - young people sleeping rough at Frankfurt station, anti-social German students, authoritarian police. This social commentary is balanced by the individual journey, both physical and spiritual, undertaken by Peter. As time passes, he is forced to reassess his personal values and beliefs as people and situations put his patience to the test. 　　Poliakoff subtly shifts the viewer's sympathies from Peter towards Frau Messner. She is initially dislikeable but gradually reveals a more sensitive side, while Peter's negative characteristics are foregrounded as the journey unfolds. Tellingly, there is a sense of personal revelation for him by the film's close. Frau Messner tells him that although he is generally 'a nice boy', he is preoccupied with himself and his work. 　　For a television drama, Caught on a Train displays a particularly filmic sensibility. The influence of Hitchcock (notably The Lady Vanishes, 1938) is evident throughout, from the gradual accumulation of mysterious and often insignificant details, to the claustrophobic atmosphere on the train. Poliakoff plays on the anxieties and sense of insecurity that rail travellers experience as they find themselves adrift, somewhere between home and their destination. 　　However, the drama balances this foreboding by acknowledging the romance associated with train travel - the relative freedom, the opportunities for chance encounters and the sense of liberation from external communication such as telephone and letters (at least in 1980). 　　The jazzy score by Mike Westbrook perfectly complements the atmospheric images of urban European landscapes, reflecting the inner feelings of the main characters, while the use of contemporary music from the likes of Blondie clearly locates the piece in its time.

上映时间

1980-10-31

影片类型

剧情

内地上映时间

出品国家/地区

美国 / 英国

首映日期

首映地区

语言

英语

时长

80分钟

色彩

版本

声效

评分

制作机构

出品机构

发行机构

获奖信息

拍摄地

票房成绩

国内票房

制片人

其他机构

幕后花絮

演职人员

导赏

集数

单集片长

分集剧情

IMDb

tt0080507

海报

剧照

档案影像

主题曲

歌曲		歌手	在线试听

原著

基本信息

角色介绍

幕后制作

预告片&花絮

改编来源

安全警示

适度休息有益身心健康，请勿长期沉迷于追剧。

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