《图鲁巴》1981电影票房、全集剧情、豆瓣网盘bt迅雷下载、在线免费观看高清完整版-兰台网

电影

图鲁巴（1981）

内容

◎片名：图鲁巴
◎又名：
◎年份：1981
◎类型：剧情/喜剧
◎导演：KidlatTahimik
◎制片人：
◎编剧：
◎主演：
◎制片国家/地区：菲律宾
◎IMDB：tt0278782
◎语言：菲律宾语 / 塔加路语 / 英语 / 德
◎片长：USA: 95 分钟
◎上映时间：1981
◎出品公司：
◎发行公司：
◎全球票房：
◎国内票房：
◎剧情简介：
Kidlat Tahimik's second film Turumba (Kidlat Kulog Productions, 1983) offers a virtual textbook demonstration of the penetration of capital into a traditional village, and the transformation of collective relations by the market and money relationships. It is a process symbolized by the impact of the cash nexus on the religious ritual designated by the film's title and turns on the change visited by production for the market on Romy (Inigo Vito), the musician-performer traditionally responsible for this annual event. It is a festival in which what are separated in modern societies as culture and religion have not yet been dissociated and those whose beauty the tourist-spectators who are Turumba's Western public can still distantly glimpse and reconstruct from behind the interposed medium of the camera and its travelogue language. Here already, therefore, formal elements that will be found more ambitiously deployed and developed in Mababangong Bangungot (1977) can be enumerated. A secondary symbolism marked as such and the co-optation of co-optation involved in admitting and ostentatiously foregrounding the inauthenticity of the Western spectator and of the average travelogue spectacle. Here, handicrafts are the vehicle for what never changes and is yet changed irrevocably beyond all recognition. A German tourist-businesswoman likes some of the the decorations used in the festival and orders more. Family and then village itself must be enlisted in the gradual mass production of these items, which eventually destroy the cyclical or ritual time of the village and prevent the organizer for wasting any more of it on the festival which was the source of the objects in question in the first place. Even the crudeness of the final irony as their reward, Romy and his son Kadu (Homer Abiad) are given a trip to Europe, to the 1972 Munich Olympics, the Third World visiting the first at the very moment in which the latter is about to be violently impacted by the former is consistent with Kidlat's aesthetic, in which a gesture toward language and representations is preferable ti the thing seemingly achieved and thereby mistaken for the real.
◎主题曲：

歌曲		歌手	在线试听

◎获奖情况：

标签

缩略图

片名

图鲁巴

又名

年份

1981

导演

KidlatTahimik

编剧

主演

剧情简介

Kidlat Tahimik's second film Turumba (Kidlat Kulog Productions, 1983) offers a virtual textbook demonstration of the penetration of capital into a traditional village, and the transformation of collective relations by the market and money relationships. It is a process symbolized by the impact of the cash nexus on the religious ritual designated by the film's title and turns on the change visited by production for the market on Romy (Inigo Vito), the musician-performer traditionally responsible for this annual event. It is a festival in which what are separated in modern societies as culture and religion have not yet been dissociated and those whose beauty the tourist-spectators who are Turumba's Western public can still distantly glimpse and reconstruct from behind the interposed medium of the camera and its travelogue language. Here already, therefore, formal elements that will be found more ambitiously deployed and developed in Mababangong Bangungot (1977) can be enumerated. A secondary symbolism marked as such and the co-optation of co-optation involved in admitting and ostentatiously foregrounding the inauthenticity of the Western spectator and of the average travelogue spectacle. Here, handicrafts are the vehicle for what never changes and is yet changed irrevocably beyond all recognition. A German tourist-businesswoman likes some of the the decorations used in the festival and orders more. Family and then village itself must be enlisted in the gradual mass production of these items, which eventually destroy the cyclical or ritual time of the village and prevent the organizer for wasting any more of it on the festival which was the source of the objects in question in the first place. Even the crudeness of the final irony as their reward, Romy and his son Kadu (Homer Abiad) are given a trip to Europe, to the 1972 Munich Olympics, the Third World visiting the first at the very moment in which the latter is about to be violently impacted by the former is consistent with Kidlat's aesthetic, in which a gesture toward language and representations is preferable ti the thing seemingly achieved and thereby mistaken for the real.

上映时间

1981

影片类型

剧情/喜剧

内地上映时间

出品国家/地区

菲律宾

首映日期

首映地区

语言

菲律宾语 / 塔加路语 / 英语 / 德

时长

USA: 95 分钟

色彩

版本

声效

评分

制作机构

出品机构

发行机构

获奖信息

拍摄地

票房成绩

国内票房

制片人

其他机构

幕后花絮

演职人员

导赏

集数

单集片长

分集剧情

IMDb

tt0278782

海报

剧照

档案影像

主题曲

歌曲		歌手	在线试听

原著

基本信息

角色介绍

幕后制作

预告片&花絮

改编来源

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