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电影 小丽丝(1930)
内容
◎片名:小丽丝
◎又名:
◎年份:1930
◎类型:剧情
◎导演:让·格莱米永
◎制片人:
◎编剧:夏尔·斯巴克
◎主演:PierreAlcover/JoeAlex/AlexBernard/朱利安·贝尔托/雷蒙·科尔迪
◎制片国家/地区:法国
◎IMDB:tt0021247
◎语言:法语
◎片长:84 分钟
◎上映时间:1930-12-09
◎出品公司:
◎发行公司:
◎全球票房:
◎国内票房:
◎剧情简介:
Jean Grémillon’s first talkie, the 1930 LA PETITE LISE, is anything but talky. While opening   and closing with soulful afro-Latin strains, something just above silence reigns throughout   the film. Grémillon is already orchestrating the auditory menace of nuanced sound sculpting   that would later pervade REMORQUES (1941), setting forth evolving rhythmic figures at an   atmospheric whisper. Grémillon grafts this aural frieze onto smoldering b&w photography.   Truly, the frame is often smoking for purposes of motif.   In truth, this film has the most impressive use of sound I know of, including Bresson’s   MOUCHETTE. It’s up for speculation as to how much technical issues played into his   creative use of sound and off-screen. What is of particular note is that instead of milking the   capability of sync sound dialogue, Grémillon uses it very sparingly, increasing the range of   expressiveness. An abstract score of atmospheric insinuation is always in accompaniment   with the imagery tonally, rhythmically and dynamically. Listening carefully, ambient sound isever at work in a subliminal music score.   The story of LA PETITE LISE belongs to the sandbox of melodrama, but Grémillon grinds it   into expressionistic minimalism. What is this story? Perhaps it will suffice to say that it is   the reunion of a father fresh out of prison with his daughter now grown up, all prepared   under a pressure cooker of lens and mic. Conflagrations arise periodically from the embers   of troubled quiet, with lighting flickering to and from peaks of intensity. Emblazoned   gestures extend from the sustain of affective brood, while conversations flare up before   subsiding back into the simmering cauldron.
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◎获奖情况:
标签
缩略图
片名 小丽丝
又名
年份 1930
导演 让·格莱米永
编剧 夏尔·斯巴克
主演 PierreAlcover/JoeAlex/AlexBernard/朱利安·贝尔托/雷蒙·科尔迪
剧情简介 Jean Grémillon’s first talkie, the 1930 LA PETITE LISE, is anything but talky. While opening   and closing with soulful afro-Latin strains, something just above silence reigns throughout   the film. Grémillon is already orchestrating the auditory menace of nuanced sound sculpting   that would later pervade REMORQUES (1941), setting forth evolving rhythmic figures at an   atmospheric whisper. Grémillon grafts this aural frieze onto smoldering b&w photography.   Truly, the frame is often smoking for purposes of motif.   In truth, this film has the most impressive use of sound I know of, including Bresson’s   MOUCHETTE. It’s up for speculation as to how much technical issues played into his   creative use of sound and off-screen. What is of particular note is that instead of milking the   capability of sync sound dialogue, Grémillon uses it very sparingly, increasing the range of   expressiveness. An abstract score of atmospheric insinuation is always in accompaniment   with the imagery tonally, rhythmically and dynamically. Listening carefully, ambient sound isever at work in a subliminal music score.   The story of LA PETITE LISE belongs to the sandbox of melodrama, but Grémillon grinds it   into expressionistic minimalism. What is this story? Perhaps it will suffice to say that it is   the reunion of a father fresh out of prison with his daughter now grown up, all prepared   under a pressure cooker of lens and mic. Conflagrations arise periodically from the embers   of troubled quiet, with lighting flickering to and from peaks of intensity. Emblazoned   gestures extend from the sustain of affective brood, while conversations flare up before   subsiding back into the simmering cauldron.
上映时间 1930-12-09
影片类型 剧情
内地上映时间
出品国家/地区 法国
首映日期
首映地区
语言 法语
时长 84 分钟
色彩
版本
声效
评分
制作机构
出品机构
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幕后花絮
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集数
单集片长
分集剧情
IMDb tt0021247
海报
剧照
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主题曲
歌曲 歌手 在线试听
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