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Волчонок среди людей（1988）

内容

◎片名：Волчонок среди людей
◎又名：Volchonok sredi lyudey/A Wolf Cub Among People
◎年份：1988
◎类型：剧情
◎导演：TalgatTemenov
◎制片人：
◎编剧：BayanSarygulov/TalgatTemenov
◎主演：
◎制片国家/地区：苏联
◎IMDB：tt0306204
◎语言：俄语
◎片长：84分钟
◎上映时间：1988
◎出品公司：
◎发行公司：
◎全球票房：
◎国内票房：
◎剧情简介：
Lucas - International Festival of Films for Children and Young People 1989 Won Lucas Cup 　　A children's film directed by Talgat Temenov that chronicles the friendship between two outcasts, a boy and a wolf cub. "Wolf Cub Among People" from Kazakhstan made us aware that Central Asia, which is often less familiar to the Japanese, was unmistakably a part of Asia. This film conveyed an air of diversity of Asia. 　　It naturally followed that the aesthetics of the young Kazakh "New Wave Cinema" dominated feature films in Kazakhstan during the 1990s. This aesthetics, in one degree or another, openly proclaimed its active rejection of the artistic traditions of Soviet cinema, of the myths and ideals of socialist society. The philosophy of the Kazakh "New Wave" received its clearest and most convincing representation in Aprymov’s and Omirbaev’s films, as well as in certain films by Karakulov (The Last Vacation). Films made by other representatives of the Kazakh "New Wave"—for example, Ardak Amirkulov’s The Fall of Otrar (1991) or Abai (1995); Talgat Temenov’s A Wolf Cub Among People (1989), Love Station (1993), or Moving Target (1991); Abai Karpykov’s A Fish in Love (1989) or Fara (1999)—are not in essence compatible with the aesthetic system and the ideology of auteur cinema that is so characteristic of Aprymov’s and Omirbaev’s films.
◎主题曲：

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◎获奖情况：

标签

缩略图

片名

Волчонок среди людей

又名

Volchonok sredi lyudey/A Wolf Cub Among People

年份

1988

导演

TalgatTemenov

编剧

BayanSarygulov/TalgatTemenov

主演

剧情简介

Lucas - International Festival of Films for Children and Young People 1989 Won Lucas Cup 　　A children's film directed by Talgat Temenov that chronicles the friendship between two outcasts, a boy and a wolf cub. "Wolf Cub Among People" from Kazakhstan made us aware that Central Asia, which is often less familiar to the Japanese, was unmistakably a part of Asia. This film conveyed an air of diversity of Asia. 　　It naturally followed that the aesthetics of the young Kazakh "New Wave Cinema" dominated feature films in Kazakhstan during the 1990s. This aesthetics, in one degree or another, openly proclaimed its active rejection of the artistic traditions of Soviet cinema, of the myths and ideals of socialist society. The philosophy of the Kazakh "New Wave" received its clearest and most convincing representation in Aprymov’s and Omirbaev’s films, as well as in certain films by Karakulov (The Last Vacation). Films made by other representatives of the Kazakh "New Wave"—for example, Ardak Amirkulov’s The Fall of Otrar (1991) or Abai (1995); Talgat Temenov’s A Wolf Cub Among People (1989), Love Station (1993), or Moving Target (1991); Abai Karpykov’s A Fish in Love (1989) or Fara (1999)—are not in essence compatible with the aesthetic system and the ideology of auteur cinema that is so characteristic of Aprymov’s and Omirbaev’s films.

上映时间

1988

影片类型

剧情

内地上映时间

出品国家/地区

苏联

首映日期

首映地区

语言

俄语

时长

84分钟

色彩

版本

声效

评分

制作机构

出品机构

发行机构

获奖信息

拍摄地

票房成绩

国内票房

制片人

其他机构

幕后花絮

演职人员

导赏

集数

单集片长

分集剧情

IMDb

tt0306204

海报

剧照

档案影像

主题曲

歌曲		歌手	在线试听

原著

基本信息

角色介绍

幕后制作

预告片&花絮

改编来源

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