《Kleines Tropicana - Tropicanita》1997电影票房、全集剧情、豆瓣网盘bt迅雷下载、在线免费观看高清完整版-兰台网

电影

Kleines Tropicana - Tropicanita（1997）

内容

◎片名：Kleines Tropicana - Tropicanita
◎又名：Little Tropikana
◎年份：1997
◎类型：剧情/喜剧/犯罪
◎导演：DanielDíazTorres
◎制片人：
◎编剧：DanielDíazTorres/EduardodelLlano
◎主演：
◎制片国家/地区：古巴 / 西班牙 / 德国
◎IMDB：tt0135505
◎语言：西班牙语
◎片长：
◎上映时间：1997
◎出品公司：
◎发行公司：
◎全球票房：
◎国内票房：
◎剧情简介：
Kleines Tropikana (Little Tropicana) is the only kind of film the Cuban Film Institute -- a crucial institution in that Third Cinema -- is able to make in its post-Cold War straitened economy, an international co-production, in this instance with German and Spanish investors. It is something like a screwball mystery, directed by Daniel Diaz Torres, best known for Alicia in Wondertown, a fabulistic satire of Cuban everyday life, temporarily banned in 1990 for its anti-bureaucratic invective. 　　Kleines Tropikana is a madcap mystery constructed to bemuse and entertain. A Cuban cop wants to stimulate his life and career by solving the strange death of a German tourist, apparently hurled off a roof dressed in angel wings from a wild party. Was it murder? suicide? a drunken accident? The cop won't take anything too obvious for certain and we gradually begin to enter his narrative world where the most fantastic answers are the best. The tourist supposedly had a father who passed memorably through Havana in the 40s and fostered a cultural fixation in his Cuban-German progeny. Was he a Popular Front hero, a Nazi spy? Who really was the boy's mother? Who are all these other strange and stranger characters and what are they after? Oh, how those Germans practice their Cuban dance steps! And what evil nuclear experiments are those dwarf Nazi doctors plotting? We gradually are lost in a parodic re-imagining of the film we are watching, with countless enhoes of other films, a kind of Borgesian Maltese Falcon goes to Havana by way of Casablanca. What we are to believe of it all is hard to say. 　　As in many recent Cuban films, Diaz Torres combines the familiarity of genre with innovative twists and narration turning self-referentially around itself. We perhaps ponder how the clever concoction we have watched takes us through national specificity, not so much as ambition but as resiliently insulting and hilarious cultural stereotypes cum global commodities; it is the Tropicana after all, Cuba's most infamous site of sexual and faux-cultural tourism, that centres the tale's fantastic remembering. We might also notice that this first-third world fable has provided the necessary trans-contintental narrative for the investment demands of an international co-production with multiple national audiences to please. The film concludes with the quotidian concerns of the Cuban cop, imagining his work-a-day reality, striving for ways to live an authentic life in the Cuban everyday that Diaz Torres finds so simultaneously marvellous and mundane.
◎主题曲：

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◎获奖情况：

标签

缩略图

片名

Kleines Tropicana - Tropicanita

又名

Little Tropikana

年份

1997

导演

DanielDíazTorres

编剧

DanielDíazTorres/EduardodelLlano

主演

剧情简介

Kleines Tropikana (Little Tropicana) is the only kind of film the Cuban Film Institute -- a crucial institution in that Third Cinema -- is able to make in its post-Cold War straitened economy, an international co-production, in this instance with German and Spanish investors. It is something like a screwball mystery, directed by Daniel Diaz Torres, best known for Alicia in Wondertown, a fabulistic satire of Cuban everyday life, temporarily banned in 1990 for its anti-bureaucratic invective. 　　Kleines Tropikana is a madcap mystery constructed to bemuse and entertain. A Cuban cop wants to stimulate his life and career by solving the strange death of a German tourist, apparently hurled off a roof dressed in angel wings from a wild party. Was it murder? suicide? a drunken accident? The cop won't take anything too obvious for certain and we gradually begin to enter his narrative world where the most fantastic answers are the best. The tourist supposedly had a father who passed memorably through Havana in the 40s and fostered a cultural fixation in his Cuban-German progeny. Was he a Popular Front hero, a Nazi spy? Who really was the boy's mother? Who are all these other strange and stranger characters and what are they after? Oh, how those Germans practice their Cuban dance steps! And what evil nuclear experiments are those dwarf Nazi doctors plotting? We gradually are lost in a parodic re-imagining of the film we are watching, with countless enhoes of other films, a kind of Borgesian Maltese Falcon goes to Havana by way of Casablanca. What we are to believe of it all is hard to say. 　　As in many recent Cuban films, Diaz Torres combines the familiarity of genre with innovative twists and narration turning self-referentially around itself. We perhaps ponder how the clever concoction we have watched takes us through national specificity, not so much as ambition but as resiliently insulting and hilarious cultural stereotypes cum global commodities; it is the Tropicana after all, Cuba's most infamous site of sexual and faux-cultural tourism, that centres the tale's fantastic remembering. We might also notice that this first-third world fable has provided the necessary trans-contintental narrative for the investment demands of an international co-production with multiple national audiences to please. The film concludes with the quotidian concerns of the Cuban cop, imagining his work-a-day reality, striving for ways to live an authentic life in the Cuban everyday that Diaz Torres finds so simultaneously marvellous and mundane.

上映时间

1997

影片类型

剧情/喜剧/犯罪

内地上映时间

出品国家/地区

古巴 / 西班牙 / 德国

首映日期

首映地区

语言

西班牙语

时长

色彩

版本

声效

评分

制作机构

出品机构

发行机构

获奖信息

拍摄地

票房成绩

国内票房

制片人

其他机构

幕后花絮

演职人员

导赏

集数

单集片长

分集剧情

IMDb

tt0135505

海报

剧照

档案影像

主题曲

歌曲		歌手	在线试听

原著

基本信息

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