迪斯尼电影(动画片)总是以“天真、烂漫、健康”等形象为广大观众(儿童)带来欢乐，但很少有人研究探讨这些概念的具体含义。本书从后殖民和女权主义的视角解读迪斯尼电影中的“他者”身份，旨在揭示迪斯尼霸权滥觞、兴盛的实质和过程。全书以英文的形式呈现。

迪斯尼电影(动画片)总是以“天真、烂漫、健康”等形象为广大观众(儿童)带来欢乐，但很少有人研究探讨这些概念的具体含义(比如电影制作者的价值取向、观众的主体意识以及消费文化下的语境等问题)。本书从后殖民和女权主义的视角解读迪斯尼电影中的“他者”身份，旨在揭示迪斯尼霸权滥觞、兴盛的实质和过程。以话语-权力说论，所谓“欢乐”只不过是人们认同迪斯尼(美国)文化的价值观而已。

Chapter 1 Introduction

 1.1 Approaching Disney

 1.2 The Becoming of Disney

 1.3 Research Questions

 1.4 Methodology

 1.5 Structure

 1.6 Selection

Chapter 2 The Inherited Racism

 2.1 Racism and Whiteness

 2.2 Semiotic Racism

2.2.1 Iconic Racism

2.2.2 Symbolic Racism

2.2.3 Indexical Racism

 2.3 Science and Racism

Chapter 3 Disney as a Sexist Workshop

 3.1 Sexualization: a Motor of Power

 3.2 Gender and Body 

 3.3 Gender and Clothes

 3.4 Gendered Images in Disney Animated Films

Chapter 4 Mythologized "Otherness"

 4.1 Decoding Mythology

 4.2 Reading Disney Films as Myths

4.2.1 Being "Other": Orientalism Cast

4.2.2 Looking at the "Other"

4.2.3 "Otherness" in the Orient

4.2.4 "Othemess" Expanded

Chapter 5 The Appropriated History

 5.1 The Problem of History

 5.2 Situating America

 5.3 Histories Appropriated

5.3.1 History and Me|odrama

5.3.2 Disney Pocahontas: Double Appropriation of History

5.3.3 Using Voice and Singing Dreams

5.3.4 Tour to London: Imperialist Whitewash

Chapter 6 Otherizing Europa

 6.1 The Myth of Being

 6.2 American Ideology and Disney Studio

6.2.1 Politics and Ideology Constructed in Pocahontas

6.2.2 Religion and Ideology Constructed in

     The Hunchback of Notre Dame

Conclusion

Bibliography

A Selected Filmography