This selection of Carroll's works includes Alice's Adventures in Wonderland and its sequel, Through the Looking-Glass, both containing the famous illustrations by Sir John Tenniel. No greater books for children have ever been written. The simple language, dreamlike atmosphere, and fantastical characters are as appealing to young readers today as ever they were.

Meanwhile, however, these apparently simple stories have become recognised as adult masterpieces, and extraordinary experiments, years ahead of their time, in Modernism and Surrealism. Through wordplay, parody and logical and philosophical puzzles, Carroll engenders a variety of sub-texts, teasing, ominous or melancholy. For all the surface playfulness there is meaning everywhere. The author reveals himself in glimpses.

Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat.'

Spirited and impulsive, Marianne Dashwood is the complete opposite to her controlled and sensible sister, Elinor. When it comes to matters of the heart, Marianne is passionate and romantic and soon falls for the charming, but unreliable Mr Willoughby. Elinor, in contrast, copes stoically with the news that her love, Edward Ferrars is promised to another. It is through their shared experiences of love that both sisters come to learn that the key to a successful match comes from finding the perfect mixture of rationality and feeling.