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电影 毒贩(1999)
内容
◎片名:毒贩
◎又名:
◎年份:1999
◎类型:剧情/犯罪
◎导演:ThomasArslan
◎制片人:
◎编剧:托马斯·阿斯兰
◎主演:TamerYigit/IdilÜner
◎制片国家/地区:德国
◎IMDB:tt0187805
◎语言:德语 / 土耳其语
◎片长:74 分钟
◎上映时间:1999-03-18
◎出品公司:
◎发行公司:
◎全球票房:
◎国内票房:
◎剧情简介:
Second feature film by German-Turkish director Thomas Arslan (Ferien, Aus der Ferne), and a rough diamond of the first generation of the so-called ‘Berlin School’. Can is a young and smart upstart; he dreams of a small family but the money that fuels this dream comes from the streets. Can is a dealer, he works for Hakan who is supplying the kids in his neighbourhood with drugs. And while Can struggles to get control over his life he sees his girl friend, the mother of his kid, leaving and himself increasingly surrounded by false friends. On top of it, a cop (Birol Ünel, the male lead from Fatih Akin’s “Gegen die Wand) is on his back trying to persuade Can to work undercover for the police. The more Can attempts to free himself, the deeper he sinks into a life he never aspired to.   “Dealer” uses the form of the gangster film for a superb character study of a young man on his way down. It’s a bleak film, as most of the Berlin School films, but Arslan’s precision is astonishing. His framing of the action (or rather non-action) is almost geometrical, Arslan has a keen eye for space – space that is mostly empty in his film. His characers are lost in the city, although they are never alone. Abandoning all conventional mumbo jumbo like character psychology or empathy, “Dealer” remains as erratic as his main protagonist. It was Arslan’s second film of his 'Berin Trilogy' and the first of his films critics described as ‘Bressonian’. It is nothing but true. “Dealer” displays an honesty and depth that is rarely seen in German cinema. Arslan was never this good again.
◎主题曲:
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◎获奖情况:
《毒贩》获奖1次 第49届柏林国际电影节 论坛及新电影论坛最佳影片托马斯·阿斯兰
标签
缩略图
片名 毒贩
又名
年份 1999
导演 ThomasArslan
编剧 托马斯·阿斯兰
主演 TamerYigit/IdilÜner
剧情简介 Second feature film by German-Turkish director Thomas Arslan (Ferien, Aus der Ferne), and a rough diamond of the first generation of the so-called ‘Berlin School’. Can is a young and smart upstart; he dreams of a small family but the money that fuels this dream comes from the streets. Can is a dealer, he works for Hakan who is supplying the kids in his neighbourhood with drugs. And while Can struggles to get control over his life he sees his girl friend, the mother of his kid, leaving and himself increasingly surrounded by false friends. On top of it, a cop (Birol Ünel, the male lead from Fatih Akin’s “Gegen die Wand) is on his back trying to persuade Can to work undercover for the police. The more Can attempts to free himself, the deeper he sinks into a life he never aspired to.   “Dealer” uses the form of the gangster film for a superb character study of a young man on his way down. It’s a bleak film, as most of the Berlin School films, but Arslan’s precision is astonishing. His framing of the action (or rather non-action) is almost geometrical, Arslan has a keen eye for space – space that is mostly empty in his film. His characers are lost in the city, although they are never alone. Abandoning all conventional mumbo jumbo like character psychology or empathy, “Dealer” remains as erratic as his main protagonist. It was Arslan’s second film of his 'Berin Trilogy' and the first of his films critics described as ‘Bressonian’. It is nothing but true. “Dealer” displays an honesty and depth that is rarely seen in German cinema. Arslan was never this good again.
上映时间 1999-03-18
影片类型 剧情/犯罪
内地上映时间
出品国家/地区 德国
首映日期
首映地区
语言 德语 / 土耳其语
时长 74 分钟
色彩
版本
声效
评分
制作机构
出品机构
发行机构
获奖信息 《毒贩》获奖1次 第49届柏林国际电影节 论坛及新电影论坛最佳影片托马斯·阿斯兰
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IMDb tt0187805
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歌曲 歌手 在线试听
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