与众多的演奏家一样，S.利发表了许多用于启发演奏者在乐器上的才能之作品：包括变奏曲，歌剧主题幻想曲等。更重要的是他的大量的指导性书籍，其中大部分主要提供于巴黎公立音乐学校之用。还有一本名为《大提琴之声》的书，包含了大量的二重奏，适用于两位大提琴演奏者共同演奏。他为大提琴而著的《教学法》和这本40首练习曲（Op.31）是同类指导性书籍中被广泛使用的一本。

1.大幅度弓法练习Exercise in the broad style of bowing

2.连弓练习Exercise on the Legato

3.旋律练习Melodic Exercise

4.谐谑曲Scherzo

5.连弓练习Exercise on the Legato

6.旋律练习Melodic Exercise

7.连弓练习Exercise on the Legato

8.右手练习Exercise for the Right Wrist

9.旋律练习Melodic Exercise

10.回旋曲Rondo

11.旋律练习Melodic Exercise

12.右手练习Exercise for the Right Wrist

13.主题变奏Theme and Variations

14.附点练习Exercise in Dotted Notes

15.熟练弓法Facility in Bowing

16.上波音练习Exercise on the Inverted Mordent

17.熟练弓法Facility in Bowing

18.分奏法Exercise in Detached Bowing

19.小回旋曲Rondino

20.颤音练习Exercise on the Trill

21.拇指运用Exercise in employing the Thumb

22.琶音练习Exercise in Arpeggios

23.如歌一般Exercise on the Cantabile

24.双音练习Exercise in Double—Stops

25.顿弓练习Exercise on the Staccato

26.多种弓法练习Exercise in Various Bowings

27.多种琶音练习Exercise on Various Arpeggios

28.拇指运用Exercise for the Use of the Thumb

29.大幅度弓法练习Exercise in the Broad Style of Bowing

30.倚音与回音练习Exercise in the Appoggiatura and the Turn

31.各种弓法Various Bowings

32.右手手腕的灵活练习Exercise in Flexibility，for the Right Wrist

33.特性练习Characteristic Exercise

34.特性练习Characteristic Exercise

35.颤音练习Trill—Exercise

36.手腕弹性技巧练习Exercise for giving elasticity to the wrist

37.轻跳弓练习Exercise on the Light Staccato

38.双音练习Exercise in Double—stops

39.半音练习Chromatic Exercise

40.八度练习Octave—Exercise